Jean-Pierre Bekolo’s Les Saignantes (2005) is a superbly photographed, stylishly edited, and tastefully scored film about two young femmes fatales who set out to rid a futuristic country of its corrupt and sex-obsessed powerful men. Young, attractive, fashionable, and lethal, they are on a mission to change the destiny of their country. Reveling in its display of excess, committed to aesthetics of cool, this is one of the first science fiction films to come out of Africa.

Screened with Teboho Malatshi’s Meokgo and the Stick Fighter (2006), the story of Kgotso, a recluse stick fighter who lives a solitary life high up in the Maluti Mountains of Lesotho. Whilst tending sheep and playing his concertina, he sees a beautiful and mysterious woman staring at him dreamily from the water. This story of unrequited love and sacrifice captures both the cruelty and the beauty of African magical beliefs. Part of the African Film Festival program.

Because the Sanctuary has been shut down by the City of Troy in an action currently under investigation by the New York Civil Liberties Union, historic A.M.E. Zion Church at 189 Fifth Avenue (corner of 103rd Street in north Troy) has offered sanctuary to the Sanctuary.

Local presentation of the African Film Festival is made possible with volunteer labor and hundreds of individual donations from patrons of The Sanctuary for Independent Media, co-sponsored by the Arts Department at RPI, A.M.E. Zion Church and the New York State Council on the Arts.

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About the African Film Festival:

The African Film Festival (AFF) is a New York non-profit arts organization. The organization, established in 1990, began as an ad hoc committee of African and American artists and scholars. In the 1950s and ’60s, African filmmakers began to create images of post-colonial Africa with nuanced understanding of Africa’s cultural diversity. Over the last half a century, having sliced through stereotypes with exacting social critique, African cinema has become a unique blend of aesthetic experimentation, history, and politics. As African nations have constructed modern identities from traditional and colonial experiences, the role of visual culture in communicating these new transitional identities has immediacy for audiences around the world. The impetus for themes such as colonialism, post-independence corruption, and chronicles of “tribal” customs often erupts from the ironies of contemporary life. But African filmmakers also draw from springs of myth, fantasy, humor, and magic to nourish a narrative sensibility in which tradition and modernity encounter each other. The oral traditions, unique pacing, and non-linear style of African story-telling have in fact become classifying characteristics of African filmmaking. This kind of art is a powerful intellectual and emotional force for social change.

As the twenty-first century begins, we are witnessing a great revolution in mass communications capabilities that drastically reduces the distances between cultures. Images, sounds, and ideas are being exchanged almost instantaneously, creating dynamic hybrid cultures. As Western consumer culture has influenced global society, so it has been invigorated by the differing sensibilities, traditions, and styles of other cultures. Likewise, African film has evolved from its early exploration of colonialism into a new, diasporic, and international consciousness. For the past decade, the African Film Festival has bridged the divide between post-colonial Africa and the American public through the medium of film. AFF’s unique place in the international arts community is distinguished not only by leadership in festival management but a comprehensive approach to the advocacy of African film and culture. We are particularly mindful of the many ways in which cinema is as much a medium of cultural exchange as an educational gate-way.

About the AME Zion Church of Troy, NY:

Devoted to religious, educational and social causes, the African Methodist Episcopal Zion Church and its members have been instrumental in many of the freedom struggles of this nation, dating back to the days when former slaves Frederick Douglass, Sojourner Truth and Harriet Tubman led the first wave of Black social activism. Since that time, A.M.E. Zion members have made other significant contributions. AME Zion Bishop Alexander Walters, along with Dr. W.E.B. DuBois, helped to found the NAACP. Bishop Walters was also a pioneering member of the Pan-African Congress, and many of the denomination’s clergy and lay people were active participants in the Civil Rights Movement of the ’60s.

A.M.E. Zion Church made the salvation of the whole person–mind, body and spirit–its top priority. At the crux of its ministry lay racial justice, peace and harmony, thus earning it the title, the Freedom Church.

As the ministry expanded, so did the denomination’s emphasis on education. “In order to succeed in American society as productive citizens, we [the newly freed slaves] need to become an educated citizenry,” an early AME Zion member once said. In keeping with that goal, the Church maintains four colleges and universities today, which are Livingstone College in Salisbury, N.C., Clinton Junior College in Rock Hill, S.C., and Lomax-Hannon Junior College in Greenville, Alabama, and A.M.E. Zion University in Monrovia, Liberia. Additionally it maintains two theological seminaries, Hood Theological Seminary in Salisbury, NC and Hood Speaks Theological Seminary in Akwa Ibom State, Nigeria.

Along with its emphasis on ministry and social change here in the United States, the denomination has focused much of its attention and energies on outreach abroad. To date, the A.M.E. Zion Church has member churches on all continents except Australia. In West Africa, in particular, the denomination has set up numerous schools and clinics throughout Ghana and Nigeria. The Church also has facilities in Liberia, though some of its main structures have been destroyed by civil war. Overseas missions are a crucial component of the A.M.E. Zion Church’s outreach, but the denomination believes in charity starting at home. That is why, over the years, several individual churches have implemented programs to help families to find low-income housing, jobs, financial planning assistance, health care and day care services. “Our concern is for the whole person,” says Bishop Cecil Bishop, the (retired former) senior bishop of the A.M.E. Zion Church. “We have a holistic approach and a holistic gospel. We don’t feel that we live in a kind of compartmentalized sense, but that life is a complete whole. So we have to be concerned about all of those amenities of life that help make up wholeness in an individual.”

About The Sanctuary for Independent Media:

The Sanctuary for Independent Media is a telecommunications production facility dedicated to community media arts, located in an historic former church in north Troy, NY. The Sanctuary hosts screening, production and performance facilities, training in media production and a meeting space for artists, activists and independent media makers of all kinds. On March 11, 2008 the City of Troy closed The Sanctuary for Independent Media for alleged code violations just hours after the opening of a controversial series focusing on government intimidation and censorship under the guise of counter-terrorism. While the matter is being investigated by the NY Civil Liberties Union, public events are being presented at Sanctuaries-in-exile throughout the Capital Region.

About Rensselaer Polytechnic’s Department of the Arts:

The Department of the Arts at Rensselaer was founded in 1972. It is built around a world class faculty and is dedicated to interdisciplinary creative research in electronic arts, offering a unique environment in which to develop and realize innovative art within a technological university. iEAR Presents! is a series of public performances, exhibitions, screenings and lectures. Curated by artist faculty, iEAR Presents! seeks to bring artists into a creative dialogue regarding integrated electronic arts practice and theory with a participatory community of faculty and students from Rensselaer Polytechnic Institute and members of the general public.

We are committed to lowering the barriers to access for events at The Sanctuary for Independent Media. For people who are hard of hearing or deaf, blind or low-vision, or whose physical limitations can interfere with a satisfying experience, let us know two weeks in advance so we can make appropriate arrangements.